Tuesday 27 November 2007

Wii-nter Wonderland - it'll be consolly this Christmas

If current advertising is to be believed, families around the globe won’t be sitting down on the 25th to watch Noel’s Christmas Presents whilst stuffed with turkey, or mortgaging Park Lane to keep hold of Mayfair in Monopoly, they’ll be waving remote controls at a small white box roughly simulating the joys of Tennis. The Wii revolution is truly upon us, so we at The Reel thought it fit to assess how the console war was being fought in the festive season, looking at the latest ads of each of the heavy-hitters.

Nintendo Wii



The daddy when it comes to casual gaming, Nintendo’s Wii advertising from Karmarama has been keen to stress the ‘anyone can play’ aspect of the console’s appeal. Featuring generic ‘model’ types and their families having the time of their lives with their Wii-wands, the spots, whist not being creatively eye-popping, certainly convey the ethos of the system. Indeed recent celebrity fuelled versions (Ian Wright and Shawn Wright Phillips to name but one) cement the family-fun stylings with smart casting, a technique mirrored in the clients’ DS advertising too, with Johnny and Zoe Ball loving their handhelds.

Sony Playstation



Sony’s TV and cinema output for their uber-powerful PS3 system has been centred on their ‘This Is Living’ strapline. Launching the console was an intriguing set of hotel based spots which led to a stylish webfilm housed on www.thisisliving.com. However, the latest sumptuous execution from TBWA London introduces a bizarre cast of characters in a fairground-esque world, entreating the audience to share in their magic. Whilst certainly conveying the system’s ability to transport players to another world, we at The Reel feel that it doesn’t do much for the consoles warmth.

Microsoft Xbox 360



Content in the fact that they’d well and truly built their customer base when Sony and Nintendo’s consoles were just hatching (thanks to a year’s head start), McCann Eriksson San Francisco’s work for the Xbox 360 has recently focussed on major game releases – most notably the fantastic Halo 3 launch campaign – and its online networking capabilities. However, with their latest piece the agency have obviously noticed the ‘casual gaming’ uprising that’s all the rage and are priding themselves on the diversity of their catalogue. Slickly produced and with a friendly feel (although the child choir ‘Nothin’ But A Good Time’ rendition could grate, give us the Poison original any day!), the spots nicely reposition the brand without antagonising their core consumer.


It’s interesting to see that two of the three top dogs have opted for a casual gaming approach for their Christmas advertising – one, a console that has prided itself on its all-encompassing appeal, the other, a gamer’s haven that finally has the pick-up-and-play software to sell. Sony’s approach is to side-step this altogether, although in doing so seems to be unsure who it’s targeting (gamers aren’t getting the chance to see the powerhouse in action, newbies aren’t encouraged by the cold, confusing world presented). Whilst it’s pretty clear which company is leading the race for a place on Santa’s list – Nintendo’s Wii still selling out in minutes wherever it’s stocked – it will be interesting to see which brand’s approach will lead to victory in the long run. After all, a console’s not just for Christmas, it’s for life…

NewsReel 27/11/07

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Jung von Matt

The German publication ‘Manager Magazin’, a magazine for German managers, has once again compiled its annual index of the most creative advertisers in Germany, and Jung von Matt, the home of October’s country feature guest editors Bernhard Lukas and Arnault Lindemann, have clinched the top spot as the best ATL advertising agency and best internet advertiser.


The agency, with offices in Hamburg and Berlin, also topped five out of six categories in ‘Agentur Images ‘07’, a poll of 300 German marketing decision makers, conducted by the ‘Handelsblatt’ newspaper and the trade publication ‘Absatzwirtschaft’.

The awards are particularly noteworthy due to the impressive state of German advertising as a whole, if last month’s country feature is anything to go by, and we’re happy because it vindicates our decision to let them take the reins of our much-loved country feature last month - if you didn’t get to see it, below is an example of the kind of thing you missed out on. Ooh, we do spoil you…

Title: Symphony in Red

Client: Konzerthaus Dortmund

Agency: Jung von Matt, Hamburg




Jake Wynne-s at Prime Focus
















Prime Focus London (the commercials and broadcast post-production company born of the merger between Clear, VTR and The Hive) have brought in ex-HSI director/editor Jake Wynne as a visual effects director and editor. Jake started his career as an editor and won the BTAA Best Commercial Editing Award for Lucozade’s ‘Mods’ spot in 1999 - click here to view – and as one half of directing duo Jake & Jim (the other half being Jim Canty) he has directed several high profile promos for artists such as Geri Halliwell, Stereophonics and Paul Weller, as well as commercials for Nescafe, Sony PS2 and The Observer.

Simon Huhtala, MD at PFL explains his reasons for bringing Jake on board, ‘I’ve been working with Jake for almost 10 years, he loves the craft of film-making and truly understands the role post-production has to play in it. As a long term client of ours I know he has as keen an eye and attention to detail as our artists here at PFL. I’m keen to offer Jake’s skills to our film clients as well as our advertising clients, especially where the visual effects are particularly heavy or the director can’t always be available to supervise.’

Jake reciprocated the glowing praise by saying, ‘It’s an exciting opportunity to spread my creative wings within a structure that is developing in a very forward thinking way.’

It looks like a match made in heaven and we at The Reel are looking forward to featuring some of the work that results.


Meri-bells ring out before Christmas









Entries for the competitions at this year’s Meribel ad festival have long been closed and the representatives from The Reel have been honing their snowball throwing skills (but of course they’d never aim for you) and the beautiful French resort is gearing up for the grand opening on the 11th December. Watch out for our Meribel feature in this month's Reel.

Weekly short film festival








Due to the unavoidably late distribution of the newsletter we were unable to inform you of the great offerings at Short and Sweet this week. However, in retrospect, the following directors were featured and a good time was had by all (we can assure you we’ll be back on time next week to let you know what’s going on in advance):

Damien Bapst and Dan Creteur, Ken Wardrop, Chris Nolan, George Wu, Martin De Thurah, Florian Grolig, Jamie Rafn, and a special performance from Tim Key.

EVERY MONDAY:
Venue: Cafe 1001, 91 Brick Lane
Time: Films START at 19h30

EVERY TUESDAY:
Venue: AKA Bar, 18 west central street
Time: Films START at 19h00

For more info contact:
ben@shortandsweet.tv
julia@shortandsweet.tv