Thursday 21 February 2008

Bits n' Pieces

For those of us who don’t know our spark plugs from our elbows, a rather handy trend has emerged in recent vehicle advertising. Whereas once it was all about the flashy motor screaming through the burning fields, now manufacturers seem hell bent on showing us just what goes into our petrol guzzlers. With the speedy arrival of Publicis and Partizan’s rip-roaring ‘Race’ for Renault, we at The Reel thought it time to investigate the growing trend of car component commercials.

Remember Cog? The Honda ad that had everyone screaming ‘Genius!’ from the rooftops? Course you do, because it won loads and everyone’s been banging on about it since its auspicious debut in 2003. Featuring a series of contraptions carrying momentum from push-me to pull-you, W+K's ad earned a certain notoriety alongside the plaudits due to claims that it half-inched the idea from 1987 film Der Lauf Der Dinge -http://www.youtube.com/watch?v=QfEkPgfA7wo. Whilst the two films are remarkably similar in their conceit, the fact that Cog consists entirely of the Accord's inner workings marks it out as an inspired piece of design boasting – look how smoothly the pieces of our car work together even outside of the sleek chassis.

Fast forward to 2008 and we have an entire orchestra made of bumpers and windscreen wipers playing us an Ode To Ford. Surfing on a wave of ‘big’ musical commercials that have entered the fray of late (Sony Walkman’s ‘Music Pieces’ and, yep, Honda’s ‘Choir’ take your bows), the piece contains all of the string, reed and brass instruments you can throw a baton at. Whilst certainly being an eye(and ear)catching spot for the brand, we can’t help but feel that Ogilvy’s ad lacks the oomph to mark it out above the rest, and perhaps sounds a little too good (not doubting its authenticity, honest!).

Finally we have the brand-spanking new part-wars spot for Renault. Again choosing to take the bits and bobs out of the shiny casing and into the viewer’s gaze, the ad pits shock-absorbers against fuel-injector in a battle to the garage. Dynamic and instantly engaging, the spot has a likeable concept – the car’s so awesome its pieces race to be in it – and features smart visual effects that leave us waiting for a big screen 3D version. Whilst lacking the innovative twist of Honda’s masterpiece, the spot proves that as far as TV advertising goes, us punters love seeing what’s in our chariots.


NewsReel 21/02/08

On the Radar
Music video champions Radar recently ran a competition for filmmakers to submit music videos for various well known bands and artists. One of the bands was The Maps, and winner Joe Brener made a promo for their track ‘To The Sky’. Joe’s prize was £1,000 cold hard cash, mentoring from Draw Pictures, a space on the YouTube global front page, and...he’s just got married. You can’t win them all!




The winners from the Radar and Coke Music competition have also been making waves.
Radar collaborated with Coke Music to create videos for their four top rated bands, inviting film-makers to pitch for the honour of having their creative associated with one of the foursome from the fizzy drink’s new music site. The winning videos can be viewed here.


Short and Sweet
As ever, Short and Sweet was east and west this week, with work from Vanessa Caswill, Steve May, Daniel Mulloy, Robert Chiu, Dom Bridges, Eric Toubel, Thomas Castellani, Yves D’incau and Clement Renaudin, and Philip Van. There was also a special performance from poet and comic Richard Tyrone Jones.

MONDAY: Cafe 1001, 91 Brick Lane

TUESDAY: AKA Bar, 18 west central street

Films START: 7pm both nights!

Additional dates for the diary are 3,4 and 10,11 March for special Short and Sweet nights featuring the nominations from this year's Short Film and Short Animation BAFTA categories.

The Whitehouse moves
No, George W Bush hasn’t decided to re-locate the US Presidential home; the London branch of premier editing house with the same name has upped sticks to 21-23 Meard Street, London, UK W1F 0EY – so update those Christmas card lists!

AICP Show second entry deadline
Over the Atlantic, the second entry deadline for the 2008 AICP Show, The Art & Technique of the American Commercial is February 29th, 2008, for work airing February 4, 2008 – February 24, 2008. This is the first time since the Show's inception in 1992 that there has been a second eligibility period.

The structure was introduced this year to allow work created for, and airing, during the Oscars telecast to be considered for the 2008 Show. Work can be entered at www.aicp.com.

The Association of Independent Commercial Producers Show is on June 3rd at The Museum of Modern Art (MoMA) in New York City. Robert Fernandez, CEO/Partner at Moxie Pictures, is the Show Chairman. Honoured work becomes a part of the permanent archive of the Department of Film at MoMA, which is good but not as good as being featured on The Reel, folks!

Nifty website
If you hate boring retail websites and crave something a little different, take a look at this. We like so we share.

http://producten.hema.nl/

Monday 18 February 2008

CORRECTION

In the NewsReel post entitled 'Don’t be coy, be Coy!' we wrongly reported that Therapy Films were defunct. We can only apologise for this error on our part and are pleased to confirm that they are still very much alive and well and we look forward to featuring some great new work from them soon. In the meantime, for more information on what's going on at Therapy, please visit www.therapyfilms.com