Wednesday, 2 April 2008

onedotzero / MTV: Bloom


Uber-cool visual pioneers onedotzero recently invited us to the launch of their fantastic co-lab project with broadcasting giant MTV International: Bloom.

Bloom was a worldwide competition that searched for the very best up-and coming creative talent. New filmmakers, animators and other creatives were invited to send a treatment for a one minute film that explored the identity and community of their hometown in a fresh way.

The competition received over 200 entries from over 30 countries around the globe as far as Australia, South America and Asia.

After much deliberation the judging panel finally selected 10 winning entries from Auckland, Beijing, Rome, New York, London, Bergen, Warsaw, Los Angeles, Paris and Sheffield with runners up hailing from Tokyo, London, Bucharest and the Netherlands.

The entries were judged on innovation, style, technical skill and creative interpretation of the bloom brief. The winning treatments were commissioned in 2007, and the artists given budgets to create and develop their one minute films for January 2008.

As each film was a one minute treatment we armed ourselves with our Dictaphone, donned our coats (and silly hat) and marched to the snazzy east london venue to get a one minute interview with each of the international talent that was at the launch.


The quality of the work on show was astounding – and the talent ranged from professionals to undergraduate students.

Here is the list of winners (in no particular order)

Quayola : Rome
Lulu Li : Beijing Dance
Ayala Sharot : Foreigners
Matt Bullock & Rebekah Cooper : Cityfix
Igor Knezevic : Proxies
The Holograms : Morfism
Katarzyna Kjek and Prezemyslaw Adamski : Untitled
Ryan Louie : Untitled
Marieke Verbiesen : Nordic Folk Legends
Niel Grundy & Alyssa Kath : Lone Kauri Road

But wait! It gets better! We were lucky enough to chat to some of the winning artists!!




One particular entrant was Ryan Louis, a recent graduate from New York University Film School, who filled us in on what inspired his urban focused piece.

“My piece basically is on New York, I wanted to tell a story in colours, lights and moods. It was really just about the idea of living in the city the anxiety and the excitement… Mostly the anxiety.

There is a lot of energy there – tense energy. And I can work from that

It was a hard project and a hard process – as it was my first time doing animation. But I had a good sense of the moods and emotions that I wanted to convey.

My main goal is to become a director – so this was huge opportunity for me. MTV and onedotzero are prestigious huge companies and this is a… the one big chance for me. The feedback and attention that I have had from this is great. Its definitely great to be here.
Its really different also - I feel that as a student filmmaker often you get tread on and treated like shit – so this is a very, very huge deal for me to have people wanting to listen and hear what I have to say.”

The UK was represented brilliantly by some more undergraduate magic makers Matt Bullock & Rebekah Cooper. Matt and Rebekah who still completing their degree in Sheffield. They had this to say to us:

“Our piece is about celebrating industrial architecture in a post industrial age and finding the beauty in it.

In Sheffield, we realised that there is loads of really amazing industrial architecture and industrial heriatage of the steel industry. There is an amazing huge complex called Parkhill flats which is the biggest of its kind in Europe.

It’s a social housing estate and until you see it you don’t realise how magnificent it is. It’s just the hugest housing structure that you have ever seen.

It has got run down and there are loads of crappy flats popping up around the city - so the point of our video is to look at the old architecture (like the cooling towers which are going to be getting knocked down) and try and put a case across that we should be building and developing around the architecture rather than knocking it down and starting again.

This one is the first video we have ever made –and were only halfway through our graphic design course so doing a video piece was new, but in the end we have got more out of this that we ever thought we could. And I think that we’ve really fallen in love with the idea of communicating a language through motion. So compared to when we started now we have got more out of it than we ever intended to.”



Director Ayla Sharot explored her feelings and experiences when she moved to London in her piece “Foreigners”

“I like the element of surprise – it’s not just my ideas. People say things that surprise me and you can react to that and it makes the whole thing a bit more attractive. So its nice to be able to develop things with that sort of input.

The Film Foreigners came from moving to London. I came to London three and half years ago and its sort of a documentation of my experience. When you come here as a foreigner it’s so different, you know, there are many cultural differences. You go to the pub, and you don’t hear what people say and you don’t get jokes as fast, you know stuff like that. I now freelance in Soho after completing my masters at St Martins. I now work all over. I really want to start to direct myself and I really hope this will help and be a platform for to launch myself into it. I mean I can always get work animating someone else’s visuals or ideas but like any other animator I would like to do my own stuff.”.


The Polish winners Katarzyna Kjek and Prezemyslaw Adamski explained their Bloom experience to us.

“We found it strange that we were waiting so long… all the scripts were completed during summer time and we found it very, very difficult to release it during winter time as all the places outside were very cloudy, so we had to use an awful lot of post production that we didn’t intend to use in the beginning!

The film is about immigration. We were, or became, one of those people coming to London to find work by working on this film and being involved in the project.”

We were lucky enough to chat to a Reel office favorite – the mighty Quayola (featured in last months issue) about his piece “Rome” and how the concept, visuals and feel came together in his work :

“In a way the fact that I’m Italian and that I’m from Rome its quite obvious the relationship between me and the sort of iconic piece of art and architecture (in the film). Its contextualizing those icons that makes the piece…. It’s a sort of deconstruction of those icons to the point that they become something else. In a way it makes you see those icons at a different angle, in a hyper real way.

This is a project that I’ve been bringing forward for a while and if you go to my site and see my work you can see that. There are a few projects that I have been working on for quite a long time and this submission, this opportunity, me was a chance to bring forward my own research and this exploration of these icons. The theme is quite obvious but its more my work that fits in the theme rather than the other way around.

I’m definitely happy about this – it took quite a while to get these projects together and in the meanwhile I have been doing other projects for Onedotzero and stuff and projects of my own. I had some exposure at MTV in Italy but obviously to have such big exposure on MTV internationally… that is something I’m looking forward to! I don’t know!”

The Bloom Project work is being broadcast worldwide on the MTV network and are available to view online at http://www.mtvonedotzero.com/. We are also featuring the spots in the upcoming issue of The Reel.






Thanks to Shane and Donna for inviting us to a brilliant event and letting us chat to the artists involved.


NewsReel 03/04/08

A Bunch Of Fools
As it was the favourite day for fools like us on Tuesday we thought it best to list some of the top japes that emerged. Leader of the pack was this fantastic spoof iPlayer spot from the BBC that unearthed one of the most incredible secrets of the natural world.


Directed by Gorgeous' Vince Squibb with top notch animation by Darren Walsh at Passion Pictures, this is one viral that undoubtedly had more forwards than the Rugby World Cup.

Other foolish triumphs include Google and Virgin's alleged team up - Virgle - and YouTube's masterful RickRolling of its own page by linking all 'Featured' pieces on their homepage to this little ditty (check out the number of views!).

SYDNEY FILM COMPANY CLOSES

As if Neighbours moving to Channel 5 wasnt bad enough... The prestigious Sydney Film Company has closed its doors for the final time this month. The Award winning production house (otherwise known as The Auckland Film company) has been in the buisness for over 20 years. Owners Maggie Lewis and Peter Cudlipp have called it a day, citing personal reasons (rather than financial) for the closing of the company.


As always, any news or moves you want us to holler about, send them over to sam@thereel.net and we'll do our best to feature them.

Wednesday, 19 March 2008

A new dawn for Therapy Films



Much like Mark Twain, Therapy Films would like to clarify that reports of their demise have been grossly exaggerated…partly by us, for which we are very sorry.

In fact, they are very much alive and kicking, with a Creative Circle Gold and a BTAA win for the Malcolm Venville and Sean de Sparengo directed Reel favourite ‘Kill the Gun’ recently in the bag.

The confusion arose from re-structuring that occurred during the renewal of a 10-year lease on their premises in Market Street – they’ve moved up in the world and are now on the 3rd floor - that saw the departure of partners Guy Manwaring and Mark Denton to pursue their own projects.

The new streamlined Therapy, with founder Malcolm Venville solely at the helm, has retained some unique and award-winning talents in its roster, including Colin Gregg, Christian Bevilacqua, Mick Rudman, The Shammasian Brothers and Sean de Sparengo.

Venville said of the recent re-structuring, ‘[it] has given us an opportunity to prune our director roster and return to the good old days when we were a straight-forward, no-nonsense production company known for creating striking commercials.’

Indeed, the former Reel Ones to Watch and extremely talented Bevilacqua has recently achieved recognition for his Mastercard spot and Venville himself has made waves with his hard hitting Reel Hotspot for BBC 2’s ‘White Season’.


NewsReel 19/03/08

Revolver re-load with Bruce Hunt
Multi award-winning director Bruce Hunt has joined Revolver for Australian and Asian representation. Named Australian director of the year four times for his commercials work, Bruce has also directed the 2nd unit on one of the best films of all time ‘The Matrix’. Bruce is really excited to be joining the existing talent at Revolver, saying ‘The intimate scale of Revolver really appealed to me…our values and the sense of enjoyment of filmmaking are really similar.’

Bruce’s work has included the excellent recent Toyota 'Ice Sculptures'. He is represented by Believe in the US and Home Corp here in London.

WAX on
Newcomers WAX Media were established in late 2007 and have already produced campaigns for major brands such as Mars, Universal and Harpers Bazarr, and they were behind the recent Alesha Dixon ad/music video from Ford. Their fresh, innovative and all-encompassing approach to digital advertising, integrated creative and strategic services comes from an eclectic and talented board of directors: Bob Brimson – Consultant Director of Creative Services @ Universal Music; Mike O’Keefe – Head of Content @ Sony BMG; Asa Bailey – digital agency consultant @ Saatchi NY and Grey Worldwide; Phil Tidy and Patrick Holtkamp – joint owners of commercials and music video production company Draw Pictures; and Andy Bell – Head of Production @ Draw. Their remit includes acting as agency, production, distribution and management, and they look all set to provide a serious challenge to the traditional order of things.

Allen Coulter pulls into the Station
He’s directed episodes of ‘The Sopranos’ and ‘Rome’ and recently wrapped the pilot for ‘Sons of Anarchy’ for FX; now director Allen Coulter is ready to direct some commercials through Station Film, where he has made the move from Hungry Man.

And finally…
The most famous and enduring Sea Captain of all time (well, off the telly anyway), John Hewer aka Captain Birds Eye for an astounding 31 years, has sadly passed away, aged 86. He was replaced in 1998 with a handsome, leaner Captain, but the young pretender struggled to live up to the legend and is currently on shore leave whilst Suggs does the business with his make-believe family. For the fish finger chomping (Reel subscribing) kid in all of us, here’s a trip down memory lane

Thursday, 13 March 2008

NewsReel 13/03/08

Remember to keep sending in all your adland news - even if it is just shameless self promotion - and we'll do our best to feature it here. Please send all press releases or anything that could fall under the banner of news to sam@thereel.net.

CORRECTION TO BOOKLET

In the Shorts section of the February Reels the cracking short Bitch was unfortunately credited without a Production Company. The piece was made the by fabulous folk at Mustard, and we apologise profusely for the mistake. To view the short (and you really should 'cause it's great) check out the latest DVD or click here (website subscribers only).

BTAA

The annual BTAA's were held in London last night and adland's hangover is only just relenting. Amongst the big winners were Agency Fallon and Production Company Rattling Stick winning Agency and Production Company of the Year respectively. The Best TV Commercial of the Year went to the mighty Gorilla spot for Cadbury, with executions for Carling, Boots and Levi amongst those scooping up Golds. A full list is featured below, and if any don't ring a bell click here for a
rundown of many Reel featured winners.

Ad of the year: Gorilla

Agency of the year: Fallon

Production Company of the year: Rattling Stick.

Golds:

Alcoholic Drinks - Coors Brewers - Space
Best 30-60 Second Commercial - Skoda - Cake
Best 60-90 Second Commercial - Boots - Moment of Truth
Best 60-90 Second Commercial - Sony - Music Pieces
Best 60-90 Second Commercial - Cadbury - Gorilla
Best 60-90 Second Commercial - Sony - Play-Doh
Best Over 90 Second Commercial - Boots - Here Come The Girls
Clothing - Levi's - Dangerous Liaison
Confectionery and Snacks - Cadbury - Gorilla
European - Skoda - Cake
European - Sony - Play-Doh
Household Appliances - Sony - Music Pieces
Household Appliances - Sony - Play-Doh
International - Proctor & Gamble - Interview
John Webster Award for Best 30 Second Commercial - Skoda - Cake
Retail - Boots - Here Come The Girls
Vehicles - Skoda - Cake

Silvers:

Alcoholic Drinks - Coors Brewers - Out
Best 30-60 Second Commercial - Coors Brewers - Space
Best 30-60 Second Commercial - Sara Lee - Effortless
Best 30-60 Second Commercial - Coors Brewers - Out
Best 30-60 Second Commercial - The Big Yellow Storage Company - Tide
Best 60-90 Second Commercial - Volkswagen - Night Drive
Best 60-90 Second Commercial - Vodafone - Time Theft
Best Over 90 Second Commercial - Vodafone - Cartwheel
Best Over 90 Second Commercial - Vodafone - Time Theft
Best Over 90 Second Commercial - Levi's - Dangerous Liaison
Cinema Advertising - Volkswagen - Toy Story
Cinema Commercials Also Shown on TV - Coors Brewers - Space
Cinema Commercials Also Shown on TV - Levi's - Dangerous Liaison
Cinema Commercials Also Shown on TV - Adidas International - Impossible is Nothing - David Beckham
Confectionery and Snacks - Thorntons - Stuck
European - Levi's - Dangerous Liaison
International Series - Adidas International - Jonah Lomu, David Beckham, Gilbert Arenas
New Advertiser - The Big Yellow Storage Company - Tide
Retail - Boots - Moment Of Truth
Series - Sony - Play-Doh, Experiment, Music Pieces
Telecommunication Services - Vodafone - Cartwheel
Telecommunication Services - Vodafone - Time Theft
Toiletries - Sara Lee - Effortless
TV and Radio Promotions - BBC - Amazing Music - Russell Brand
Vehicles - Volkswagen - Night Drive

Bronze:

Alcoholic Drinks - Diageo - Tipping Point
Best 30-60 Second Commercial - Choice FM - Kill The Gun
Best 30-60 Second Commercial - BBC - People Like Us
Best 30-60 Second Commercial - Olympus - Toddler
Best 30-60 Second Commercial - Thorntons - Stuck
Best 30-60 Second Commercial - Volkswagen - Great Pretender
Best 30-60 Second Commercial - Diageo - Sea
Best 30-60 Second Commercial - Diageo - Tipping Point
Branded Content - Vodafone - Sir Percy
Cinema Commercials Also Shown on TV - Vodafone - Time Theft
Cinema Commercials Also Shown on TV - Sony Bravia - Theatre
European - Audi - Construction
International - Heineken - Jamaica
John Webster Award for Best 30 Second Commercial - Olympus - Toddler
Miscellaneous Consumer Products - Sony - Pose
Miscellaneous Consumer Products - Olympus - Toddler
Miscellaneous Consumer Products - BSkyB Ltd - Static
New Advertiser - Choice FM - Kill The Gun
Newspapers and Magazines - Mail On Sunday - Battle
Retail - John Lewis - Shadows
Retail - The Big Yellow Storage Company - Tide
Series - Adidas International - David Beckham, Everest Boys, Gilbert Arenas
Sponsorship Bumpers - Nestle - Hula, Card Trick, Rabbit, Toast, Skip, Basket Ball
TV and Radio Promotions - BBC - Amazing Music - Chris Evans
TV and Radio Promotions - BSkyB Ltd - Static
Vehicles - Audi - Construction
Viral - Coca Cola - Stockport
Web Based Advertising - Freixenet - The Key To Reserva

Tuesday, 11 March 2008

Qash-back

Home Alone 2: Lost In New York, Babe: Pig In The City, Crocodile Dundee II – popular culture is full of sequels where the little guy makes a mark in the big city. Following on from last year’s masterful ‘Skateboard’ TV spot, TBWA\London and TBWA\G1 have yet again ripped up the metropolis with the flashy Nissan Qashqai. Following on from the original’s playful nature, the new execution sees the city literally coming to life, the buildings becoming frisky titans who launch the vehicle through the streets like a cat toying with a ball of string.



The ad was directed by Rattling Stick helmer (and Reel favourite) Danny Kleinman, bringing the buildings to life with cheeky movements and clever ‘it-looks-like-a-face’ aesthetics. Spanning a mammoth 8-day shoot with a 170-strong crew, the commercial’s production included closing down Avenue Corrientes, one of Buenos Aires’ busiest streets, for a whole weekend. Speaking of the production, Kleinman says, “We used a lot of big effects, big rigs, dropped cars, and tried to do things which looked spectacular – it was quite a challenge; a big, big production. In a way it would have been a lot easier to create everything in CG, but I think you lose a bit of realness, grittiness and excitement if you go down that route.”



"This is an ad that is going to get people talking about it!” adds Steve Henry, Executive Creative Director TBWA\London, “Following on from the launch of QASHQAI, which involved radical TV ads and a massively successful online campaign, this is a piece of work which really brings out the unique nature of the car. The stunts are really impressive, but what makes the ad fascinating is how Danny has given the buildings such great personalities - like cheeky, mischievous schoolboys playing with the car. QASHQAI really is the ultimate Urbanproof car, and the ad shows that off with great personality and style."

Backed by a big media spend, the TV work will be supported by press and outdoor work and will be followed by the second phase of the viral phenomenon, QASHQAI Car Games and a second year of the mountain bike urban freeride tour, Nissan QASHQAI Challenge.

Project: ‘City Living’
Creative Agency: TBWA\London, TBWA\G1
Copywriter: Chiappe & Saunby
Art Director: Chiappe & Saunby
Agency Producer: Emma Rookledge
Agency Planner: Filippo Dell’Osso
Director: Danny Kleinman
Producer: Johnnie Frankel
Production Company: Rattling Stick
Editor & Editing Co.: Steve Gandolfi
Post Production Co.: Framestore CFC
Audio Post Production: Owen Griffith at Jungle

Thursday, 6 March 2008

Tip top monkey


The Andrex Puppies, the Dulux Dog, and the new kid on the block, the Cadbury Gorilla - adland loves animal mascots, whether they’re real, puppets, or just Phil Collins in a suit. However, only one brand mascot has successfully crossed over from one brand to another - Britain’s favourite knitted chimp, Monkey. The stuffed simian made his debut in 2001 with the launch of ITV’s ill-fated digital network, and after a long holiday, purportedly strapped to the front of a lorry (see below) but more likely thrown in a cupboard in Mother’s plush East London offices, he made an inspired return with his old mate Johnny Vegas (still bizarrely called Al) for PG Tips in January 2007.



That was over a year ago and in the interim Monkey has embarked on a career as a movie star (apparently without Al – no sign of the nation’s favourite salad dodger in the trailer). His first appearance on the silver screen comes in a five-minute whistle-stop history of tea that premières in cinemas across the UK from Friday 21 March to Thursday 10 April. Showing a versatility not seen since Eddie Murphy in ‘Nutty Professor 2: The Klumps’, and without the need for prosthetics we must add, Monkey takes the role of Shennong, legendary Emperor of China; a captain of a tea clipper, an intrepid jungle explorer...and the majority of other roles. The film encompasses the history of tea from ancient China, right up to the Rainforest Alliance Certification of PG Tips' tea suppliers.

To catch what is sure to be the beginning of a long and illustrious career in film, take your family to any of the following films between 21 March and 10 April (and if you don’t have a family, borrow one - just like Suggs did for Birdseye): ‘The Spiderwick Chronicles’, ‘Horton Hears A Who’, ‘Gameplan’ and ‘Hannah Montana’. See below for a sneak preview of the film, entitled 'A Tale of Two Continents'.